Showing posts with label Allspark. Show all posts
Showing posts with label Allspark. Show all posts

Saturday, 1 June 2013

Travel Literature: Malaysian Mount Doom

Part One

I find Old Glory: A Voyage down the Mississippi to be the most effective because of its engaging diction and atmosphere. His road trip is told as if it is a thriller. He focuses on describing the landscape more than his car and his mood, which makes it more about the area he travelled to than himself: “The road sliced through a broken, hilly landscape of forest, corn and cattle.”

The way he turns his road trip into a thriller not only engages the reader in the story, but also draws the reader into the situation he is in: “I twiddled my way through the burble on the radio.” He makes himself sound superior to his surroundings, which is necessary in travel literature, even vice-versa.

Part Two

After what a madman might call “rest”, my father and I woke to prepare for our journey in the darkness. Once we had eaten a mediocre breakfast, we walked into the chilly night.

Endless wooden steps began to mark a pathway through mountainous forest. Crickets spurred on the walkers with their soothing chirps, as did frequent breaks. Each step seemed like an arch-nemesis as we crawled up the beginnings of the peak.

Massive slabs of rock painted the second section like a post-apocalyptic final frontier. Torn ropes were our only support now, with a three thousand kilometre drop either side. But as the steepness died down, we had nut bars to feed our hungry leg and arm muscles.

With only half a kilometre to go, frozen plants were illuminated by the beginnings of a sunrise. The top of this mountain seemed like the end of the universe, like a rocky heaven with clouds far below. “We’re so high,” we joked.

Half a kilometre turned into a third as we dragged our dying legs over the desolate plateau of frosted rock. Little cracks where slabs joined gave me comfort, providing me with something to observe.

The peak was a random arrangement of boulders into a wave shape. Ropes were draped down our destination, although they were of little help.

After fifty thousand photos were taken, we edged back down the peak. Then galumphed over the plateau before I leaped down the steps.

The nut bars had kicked in.

With little rest, I sped down the forest, rocks and ridges I had climbed before. Pitcher plants turned into signposts as rock turned to dirt. The vapour dripped on my shoulders no more, because tropical air was in its place.

It was only when I hopped on the coach that I realized how hard climbing Mount Kinabalu was. 

Saturday, 18 May 2013

Devilish Little Creatures - Openings


1

I think that the seventh opening is the most effective because it is engaging. Sometimes, an introduction to the character can be effective, but novels that tell you more and more as you go along keep you hooked, as you want to know more.

As far as we are aware, he knows as little about where he is as we do. This puts us in his shoes and engages us by making us empathise with him – a little.

The structure of the sentences also helps to engage the reader. It breaks certain grammatical expectations: “No ticket, no bags, no clothes, no wallet.” This short, sharp structure makes the novel fast-paced, less dreary, and therefore more engaging.

2

I try not to drink the dirty water splashed onto my face. I can’t blink out the liquid in my eyes. And I’m not sure that’s water.

My brain suddenly wakes up at the sharp pain in my legs. They’re being stretched out. The skin is starting to rip, showing arteries beneath. The agony is indescribable.

“Are you going to talk?” Torture is not often done monotonously. This guy obviously loves it, though.

I grimace and breathe through my teeth. One foot is ripped off. My scream is just a shriek of utter despair.

“You can’t cope much longer, you know.” He turns around. The darkness still shrouds him. “Everyone has a breaking point.” My other foot has gone numb.

Sweat rids my face of the water. The agony persists.

“I don’t care. You’re not getting anything!” I scream the word “thing”. Although I don’t, my ears have a breaking point.

The stretching slows down. The agony is increasing so fast I can’t scream.

“Who are you?” Whimpers often get you the most attention. He still doesn’t care, though.

“That’s why you’re here.” He swivels around, slowly. “That’s what you told Jenny.”

Jenny! “What have you done with her?”

I can only see his mouth. It grins sadistically. “She’s safe.” The grin turns into a smirk. “For now.”

I writhe uncontrollably. “Let her go, you freak!” I yell again. The yell echoes around the metal room. My ears ring, pleading for quiet.

“Do you know who I am?” I don’t care. I just want this to stop.

“Who?” I wish I hadn’t asked that. I would have rather died. He stands up and walks into the light.

“No.” He walks to me.
“No!” He looks over me.
“NO!” She smiles.
Jenny.

Saturday, 13 April 2013

Friendship

A medicine that heals with just a drop;
The one and only force of gentle love.
If life's a sentence, this is the full-stop.
Eternal peace without a mourning dove.
When life betrays your childhood hope and dreams,
When fear invades your brain and rips apart
The love you built: it segregates the seams.
Your friends can press the button marked .
The joy in life cannot be made alone,
For only two or more can see the light.
As one, the friends can kill the evil hate
To show that love should be a human right.
The ones in power never seem to care
About the love of friends: so pure, so bare.

Saturday, 9 March 2013

Allspark

Me? At school I often go insane.
Friends are like my constant remedy:
Always there when I need to explain
Fears and my curiosity.

ME? at SCHOOL i OFten GO inSANE
FRIENDS are LIKE my CONstant REmeDY
ALways THERE when I need TO exPLAIN
ANger AND my CUriOsiTY.

Wednesday, 20 February 2013

Owl

A bird of prey that glides with grace: so slow
is she. The mice are cars below this plane.
The shrews flee too. Her chest is white like snow.
Her claws rip through the night. She's inhumane.

Monday, 4 February 2013

Epping Forest

The leaves and trees become the heart within.
My mind, my fear begins to chill my skin.
I know this place, I know its feel
The joy, the love, the peace and zeal
Pick up a branch and hide
Down low where dirt resides
My life
Is here.